Fuse Dance Review: Boston Ballet Ends 48th Season on an Encouraging Note

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Isaac Akiba, Paul Craig, James Whiteside, and Brittany Summer in Fancy Free. Photo: Gene Schiavone

 

Fuse Dance Critic Iris Fanger evaluates the final Boston Ballet performances of the season (which ends on May 20th).

 

-- Bill Marx

Fuse Film Review: “Sound of My Voice”

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Brit Marling in Sound of My Voice -- a film of artful, genre-bending ambiguity.

 

Fuse Film Critic Tim Jackson salutes the artful ambiguity of the genre-bending film Sound of My Voice,  as well as the beauty and talent of actress Brit Marling.

-- Bill Marx

Fuse Theater Review: An Inspirational “Woody Sez”

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Andy Teirstein, David M. Lutken, Helen Jean Russell, Darcie Deaville in Woody Sez. Photo: Todd Oldham

Fuse Music Critic Anthony Palmer thinks Woody Sez: The Life & Music of Woody Guthrie is a thoroughly enjoyable and effectively assembled presentation of Guthrie’s rich legacy to American culture and history. At the American Repertory Theater through June 3.

-- Bill Marx

 

Fuse Theater Review: “Cupcake” — A Musical for Pastry Lovers

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Hallie Brevetti as the Librarian, Grant MacDermott as Tom, and Max Sangerman as the Lifeguard in Cupcake. Photo: Joel Benjamin

 

Fuse Theater Critic Peter-Adrian Cohen says if you want the theatrical equivalent of fun in the sun, Cupcake (receiving its world premiere at Club Cafe Boston), is for you. But those looking for substance should approach with extreme caution.

-- Bill Marx

Fuse Book Review: “Emmaus” — A Fictional Puzzle Wrapped in a Spiritual Enigma

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Fuse Book Critic David Mehegan finds Emmaus, the latest book in translation from Italian writer Alessandro (Silk) Baricco, to be too elusive for its own good. Published by McSweeney's.

 

-- Bill Marx

Fuse Music Commentary: “Maestro” — Breaking Boundaries

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Fuse Classical Music Critic Anthony J. Palmer offers a pithy commentary on what Hershey Felder in Maestro: Leonard Bernstein (A Play With Music) says about the ways that musical categories damage the imaginative health of our culture. Presented by ArtsEmerson

-- Bill Marx

Fuse Book Review: “When the Night” — A Memorably Icy Love Story

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Fuse Book Critic Roberta Silman admires When the Night, a novel from Italy that explores the vicissitudes of love in a very cold climate.

 

-- Bill Marx

Fuse Dance/Movie Review: The Passing Parade — A Film about the Joffrey Ballet

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Arpino rehearsal shot from the 1980s

Fuse Dance Critic Debra Cash argues that a new documentary about the Joffrey Ballet is an unsatisfying exercise in hero worship.

-- Bill Marx

Fuse Classical CD Review: Jeremy Denk’s Ligeti/Beethoven (Nonesuch)

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Fuse Classical Music Critic Jonathan Blumhofer thinks that pianist Jeremy Denk's debut CD on the Nonesuch label is revelatory on several levels. The recording is scheduled for release on May 15th.

 

-- Bill Marx

Fuse Theater Review: Boxed In — “Yesterday Happened: Remembering H. M.”

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Man Meets Brain: Barlow Adamson as Henry Molaison in Yesterday Happened: Remembering H.M. Photo: A.R. Sinclair Photography.

 

Fuse Theater Critic Bill Marx finds this world premiere production -- based on a real-life case of enormous importance for the study of memory and the brain -- compelling. But concludes it does not go far enough creating what could have been a terrifying vision of imaginative vertigo.

 

-- Bill Marx

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